We will meet on October 16th at the regular time, 12:00 to 3:00.
We have a group project every year and each of us creates a wide range of individual projects. View our updates below where we show off some of the things we are doing.
Note: Occasionally we have a program that is only open to members or guests who have pre-registered. We had a dyeing workshop in September this year. You can see some of the things we did in the post below.
We had a great, unexpectedly large number of members who showed at this meeting. We had an indigo pot and Sandy, Sharolene and Marcia did shibori folded indigo dyed shirts.
We met, as usual, in Phyllis’s back yard on one of the hottest afternoons of the year. We came prepared with fibers and fabrics that had earlier been soaked in an alum solution (called a mordant in fabric talk). There are various elements that can mordant fiber. All help the dyes fix to the fabric and often affect the kind of color the dyes provide. Alum is a safe and easy-to-use mordant.
We are always interested in learning what we can about using natural dyes produced by plant and animal products as opposed to dyes created in a chemical lab. People have used these dyes for thousands of years to provide color in there fabric and sometimes even to paint their bodies. (We are sticking to just the fabrics.) Today we are using osage orange (Maclura pomifera) twigs and cochineal (Dactylopius coccus) produced by tiny bugs that live on cactus plants. We will also use some indigo (a plant dye that produces blue) on some of our fibers after they have been dyed yellow or red.
Anni introduced us to the wide range of colors that can be produced by natural dyes.
We then set to work with our own fibers. Here are some of the results of our day of dyeing.
On a perfect summer day we met at Phyllis’s to prepare for our dye workshop next month. We needed to mordant our yarns and fabrics to prepare them to “take” the cochineal and osage orange dyes we will use next month. For dyers a mordant is “ “. In our case we are using alum.
After weighing all our fibers, we soaked them thoroughly to ensure they were wet throughout:
We measured alum by weight, using one-tenth the weight of the dry fiber, and put it into a small bit of water which we heated to dissolve the alum. After removing our thoroughly wet fiber from the pot and wringing it out, we added the alum and fiber to large pots of water, heated it and simmered it for an hour.
And then we hung the fiber on the fence to dry.
While all this was happening, we had plenty of time to talk and show each other our latest projects.
We had a lovely meeting with just a few choice members showing up: Sharolene, Frank, Lotus, Marcia and Phyllis. We continued with our indigo-dyed shibori project. There are some interesting comparisons of wet versus dry indigo in these pics. They are duplicated to show how much darker the wet indigo is.
This is Lotus Baker’s handspun handmade beautiful vest that she made for the CNCH fashion show a couple of weeks ago. You can’t tell by the look of it but it has a wonderful feel and drape. She made it using plain weave on her rigid heddle loom. These photos don’t do it justice.
We had a fun meeting yesterday decorating eggs. Attendees were: Sandy, Marcia, Phyllis, Sharolene, Frank, Sage, Aviva, Ann, and Elaine. Sharolene tried some unsuccessful indigo dyeing on some mystery fabric, Aviva and Sage knitted, Sharolene and Sandy did egg decorating. Sandy dyed one egg in some older yellow dye, which worked fine, although the dye itself was not reusable any longer. Sharolene and Sandy experimented with a new to them method of dyeing eggs with fingernail polish. It was quite simple. The fingernail polish floated on the surface of room temperature water and the eggs laid on top and the polish stuck to the eggs in delightful ways. Ann used a silk transference technique where she tightly wrapped an egg with silk and then boiled in vinegar water for 30 minutes. This process transferred the dyes from the silk to the egg. Beautiful.